PUBLICATIONS
Cover of Into the Light – The Cruthers Collection of Women’s Art, University of Western Australia Publishing, 2012, pp 130.
Into the Light – The Cruthers Collection of Women’s Art
(UWA Publishing Custom, Perth, 2012, 130 pages, 104 colour reproductions)
The Cruthers Collection of Women’s Art is one of Australia’s most fascinating specialist art collections. Assembled since 1974 by collector and patron Lady Sheila Cruthers, the collection showcases the work of Australia’s women artists from the 1880s to the present. Lady Cruthers gifted the Collection to The University of Western Australia in 2007 so it could remain intact and available to the public. Her generosity provides a means by which current ideas about Australian art and art history can be reconsidered in a new light.
Into the Light tells the story of the collection, and presents a compelling view of Australia through women’s artwork, historical photographs and essays. Providing insight into art history and contemporary developments, it is a must for collectors, artist and art lovers. The mixture of iconic and previously unseen images gives this beautiful collection book richness, depth and originality.
Into The Light was published to coincide with the exhibition LOOK. LOOK AGAIN held at the Lawrence Wilson Art Gallery in October-December 2012.
Cover of In the Company of Women: 100 years of Australian women’s art from the Cruthers Collection, Perth Institute of Contemporary Arts, Perth, 1995, pp 80.
In the Company of Women: 100 years of Australian women’s art from the Cruthers Collection
(Perth Institute of Contemporary Arts, Perth, 1995, 80 pages, 62 colour and 20 b∓w reproductions)
In the Company of Women was the first public exhibition of the Cruthers Collection of Women’s Art and represented the Collection after 21 years of collecting. It was developed by the Perth Institute of Contemporary Arts as a major visual arts event for the 1995 Festival of Perth. The exhibition was also part of the National Women’s Art Exhibition, a nation-wide art event to celebrate the twentieth anniversary of International Women’s Day, through over 140 exhibitions and events at galleries and museums in every state and territory.
The accompanying publication includes an introduction by PICA director Sarah Miller and essays by Catriona Moore, Melissa Harpley, Isobel Johnston and John Cruthers.
Held in 2012, LOOK. LOOK AGAIN was the first major exhibition of the Collection after it was gifted to The University of Western Australia in 2007.
LOOK. LOOK AGAIN 2012 exhibition brochure
This brochure was produced to accompany the exhibition LOOK. LOOK AGAIN. It features an overview essay by exhibition co-curator John Cruthers and nine colour reproductions of key works from the Collection.
WOMEN’S ART NEWS
CRUTHERS COLLECTION OF WOMEN’S ART
- Melanie Kembrey, ‘Australian women call time on abuse of power in the art world’, The Sydney Morning Herald, 15 September 2018
- Ann Schilo, ‘Scintillating signifiers – ‘Flora’ at Lawrence Wilson Art Gallery’, Art Monthly, Issue 306, April 2018, pp26-29
- Gina Fairley, ‘Do women make better curators?’, ArtsHub, 5 December, 2016
- Raphael Morris, ‘Grappling with feminist contradictions’, ArtsHub, 24 November, 2016
- ‘My Collection’, Maddie Mulholland on Vicki Varvaressos, The lids are dizzy pink 1982, Lawrence Wilson Art Gallery, Perth, 2016
- Lily Yeang, ‘The Care Takers’, Scoop Homes and Art 47, 23 February, 2016
- Carrie Miller, ’47. Gemma Weston’, Art Collector, Issue 75, Jan-Mar, 2016, pp 202-20
- Carrie Miller, ’44. Elvis Richardson’, Art Collector, Issue 75, Jan-Mar, 2016, p 194
- Lisa Bryan-Brown, ‘Ladies’ legacies – Women gifting art by women’, Art Monthly, Issue 286, Summer 2015-2016, pp 28-32
- Leanne Santoro, ‘Sun, sea and standing still’, Look, 1015, Art Gallery Society of New South Wales, 2015, pp 18-20
- Gemma Weston, ‘In defence of bad taste: the art of Pat Larter and Lola Ryan’, The Conversation, 14 August, 2014
- Maurice O’Riordan, ‘Art we there yet?’, Art Monthly Australia, Issue 258, April, 2013, pp 35-36
- Victoria Laurie, ‘Sheila’s shelias’, The Weekend Australian, 13-14 October, 2012, pp 5-6
- Gail Williams, ‘Portrait of a lady’, The Sunday Times, 7-13 October, 2012, p 16
- Sheridan Coleman, ‘A museum of one’s own: Look. Look Again’, Art Guide, Sept-Oct, 2012, pp 70-73
- John Cruthers, ‘Lady Sheila Cruthers (1925-2011)’, Art Monthly Australia, Issue 248, April, 2012, pp18-19
- Ted Snell, ‘Intimate Spaces: The Sir James and Lady Sheila Cruthers Collection’, Art and Australia, Vol 39, No 1, 2001, pp 122-126
- Margaret Moore, ‘In the Company of Women’, Agenda, May, 1995, pp33-34
- Neville Weston, ‘Reaffirming value’, The Western Review, March 1995
- Ted Snell, ‘In the Company of Women’, The Australian, 24 February, 1995
- Ron Banks, ‘Eclectic collection is a family passion’, The West Australian, 15 February, 1995
- ‘The Cruthers Collection’, Mode Magazine, August, 1987
WOMEN’S ART
GENERAL ARTICLES
- Valerie Hess, ‘5 minutes with…Autoportait (Self Portrait) by Jeanne Hebuterne’, Christies, 18 October 2018
- Katharine Q. Seelye, ‘Jane Fortune, Champion of Florence’s Female artists, Dies at 76’, The New York Times, 2 October 2018
- Claire Armistead, ‘Zina Saro-Wiwa: ‘For 10 years I didn’t cry about my father’’, The Guardian, 19 September 2018
- Hannah Clugston, ‘Polly Apfelbaum review – a trip into a technicolour dreamscape’, The Guardian, 21 September 2018
- Shankar Vedantam, ‘Researcher’s explore gender disparities in the art world’, National Public Radio, Inc., 18 September 2018
- Judith Wilkinson, ‘‘I’m aghast, scared and disgusted’: neon warrior Jenny Holzer on America today’, The Guardian, 17 September 2018
- Kathryn Bromwich, ‘Mary Kelly: ‘All borders are anathema to art’, The Guardian, 16 September 2018
- Micha Frazer-Carroll, ‘Strangers, lovers and Rihanna in repose: Deana Lawson’s intimate portraits’,The Guardian, 15 September 2018
- Linda Morris, ‘Nude gender quotas won’t be put in place says Art Gallery of NSW’, The Sydney Morning Herald, 4 September 2018
- Hannah Furness, ‘Royal Academy nudes to reach gender parity as art world grapples equality’, The Sydney Morning Herald, 4 September 2018
- Helen Gorrill, ‘Are female artists worth collecting? Tate doesn’t seem to think so’, The Guardian, 13 August 2018
- Nadja Sayej, ”It’s about time’: Central Park’s first historical female monument to arrive in 2020′, The Guardian, 2 August 2018
- Maeve Kennedy, ‘Royal Photographic Society seeks ‘hundred heroines’ for special award’, The Guardian, 2 August 2018
- Adrian Searle, ‘Herstory review – a surprising, alarming odyssey through art by women’, The Guardian, 31 July 2018
- Alison Greenberg, ‘Minneapolis Institute of Art to Stage Major Survey of Native Women Artists’, The Art Newspaper, 24 July 2018
- Robert Dex, ‘National Gallery spends £3.6m on rare painting to boost women’s art’, The Evening Standard, 6 July 2018
- Hannah Clugston, ‘Lee Miller and Viviane Sassen review – photography and the female gaze’, The Guardian, 23 June 2018
- Jonathan Jones, ‘Alison Wilding review – pure sculpture from an artist whose time has come’, The Guardian, 23 June 2018
- Rebecca Nicholson, ‘Rebel Women: The Great Art Fightback review – feminist art versus the patriarchy’, The Guardian, 19 June 2018
- Katie Goh, ‘The White Pube: meet the emoji-using art critics who hate art criticism’, The Guardian, 12 June 2018
- Jori Finkel, ‘Lacma acquires major works by women through lively Collectors Committee Weekend’, The Art Newspaper, 22 April, 2018
- Laura Cumming, ‘Surface Work review – women abstract artists dazzle in historic show’, The Guardian, 15 April, 2018
- Helen Hughes, ‘Binns’ Grids and Voids: “It is what it is, what it is”, Vivienne Binns at Sutton Gallery’, Memo Review, 14 April, 2018
- Natalie Gempel, ‘The Women’s Struggle in Art: Groundbreaking New Dallas Exhibition Examines Representation and the Fight for Recognition’, Paper City, 12 April, 2018
- Leah Sandals, ‘Nationwide Public Art Project to Feature 50 Indigenous Women’, Canadian Art Foundation, 26 March, 2018
- Louise Maher, ‘Rare painting by 19th-century female recreational artist acquired by National Portrait Gallery’, ABC News, 6 March, 2018
- Colleen Hochberger, ‘The Other Art History: The Non-Western Women of Feminist Art’, Artspace, 2 March, 2018
- Kevin Griffin, ‘ART SEEN: Contemporary Art Gallery curates new program in Canada House, London’, Vancouver Sun, 22 February, 2018
- Sasha Weiss, ‘Judy Chicago, The Godmother’, The New York Times, 7 February, 2018
- Shannon Lee, ‘The Other Art History: The Overlooked Women of Surrealism’, Artspace, 2 February, 2018
- Michael Sun, ‘Women in art study reveals 50 per cent gender pay gap’, The Age, 21 January, 2018
- Kevin Griffin, ‘Put it in words: How writing and reading by women influenced art in the ’70s’, Vancouver Sun, 13 January, 2018
- Claire Selvin, ‘The Common Threads Between Female Quilters and Abstract Expressionists’, Hyperallergic, 12 January, 2018
- Kerrie O’Brien, ‘What’s the cleaner got to do with art?’, The Age, 10 January, 2018
- Julie Shiels, ‘Unfinished Business: new exhibition showcases breadth of feminist art over decades’, ABC News, 8 January, 2018
- Kerrie O’Brien, ‘I can’t believe we’re still arguing this shit’, The Sydney Morning Herald, 5 January, 2018
- ‘The Artsy Podcast, No. 63: Camille Claudel, the Sculptor Who Inspired Rodin’s Most Sensual Work’, Artsy, 3 January, 2018
- Jennifer Farrell, ‘One Hundred Years of the Great War through the Eyes of Four Female Artists’, Metropolitan Museum of Art, 3 January, 2018
- ‘Unfinished Business Perspectives on art and feminism’, ACCA Melbourne, YouTube, 2 January, 2018
- Jo Higgins, ‘Crunching the Numbers: The Countess’, Art Collector, Issue 83, January, 2018
- Anna Bensted, ‘In Florence, they’re bringing the works of women artists out of the basement’, Public Radio International, 22 December, 2017
- Karen Chernick, ’10 Female Performance Artists You Should Know, from Ana Mendieta to Carolee Schneemann’, Artsy, 20 December, 2017
- Julia Halperin, ‘The 4 Glass Ceilings: How Women Artists Get Stiffed at Every Stage of Their Careers’, ArtNet, 15 December, 2017
- Natasha Hinde, ”Wall Of Shamed’: Women Share Awful Experiences Of Being Body-Shamed And Harassed’, Huffington Post, 8 December, 2017
- David Salle, ‘Outing the Inside’, The New York Review of Books, 7 December, 2017
- Julie Shiels, ‘Still counting: why the visual arts must do better on gender equality’, The Conversation, 6 December, 2017
- Mark Brown, ‘Lubaina Himid becomes oldest artist to win Turner prize’, The Guardian, 6 December, 2017
- Marybeth Stock, ‘Women in Photography 2017: Objectifs Centre for Photography Singapore’, ArtAsiaPacific, November, 2017
- Molly Langmuir and Trish Deitch, ‘Elle Women in Art: Who to Know, Love, Collect’, Elle, 17 November, 2017
- Maura Reilly, ‘What is Curatorial Activism?’, Artnews, 7 November, 2017
- ‘Nine New Acquisitions Celebrate National Museum of Women in the Arts’ 30th Anniversary Year’, National Museum of Women in the Arts, Washington, 2017
- Sarah Cascone, ‘How—and Why—’The Dinner Party’ Became the Most Famous Feminist Artwork of All Time’, Artnet, 7 November 2017
- Isaac Kaplan, ‘Alex Strada Is Contractually Binding Her Collectors to Support Emerging Female Artists’, Artsy, 1 November 2017
- Carrie Rickey, ‘Linda Nochlin, Feminist Art Historian Who Changed the Game, Dies at 86’, Hyperallergic, 31 October, 2017
- Andrew Russeth, ‘Linda Nochlin, Trailblazing Feminist Art Historian, Dies at 86’, Artnews, 29 October, 2017
- Carrie Rickey, ‘The exceptional life and political art of Violet Oakley’, Hyperallergic, 14 October 2017
- Alexxa Gotthardt, ‘What you need to know about Bauhaus Master Anni Albers,’ Artsy.net, 11 October 2017
- Sera Waters, ‘Still-ness: activating the ‘still’ rhythms of generational feminism’, Broadsheet, Journal 46.2, 2017, pp 37-40
- Shannon Lee, ‘Nine Totally Badass Latina Artists in the Hammer’s “Radical Women” Show’, Artspace, 14 September, 2017
- Natalie Haddad, ‘The Passion and Pain of Carol Rama’, Hyperallergic, 9 September, 2017
- Linda Morris, ‘Ravenswood founds Australia’s richest art prize for women’, Sydney Morning Herald, 5 August, 2017
- Anna Louie Sussman, ‘Why Old Women Have Replaced Young Men as the Art World’s Darlings’, Artsy, 19 June, 2017
- Emily Elizabeth Goodman, ‘The Future Is (Still) Female: Feminist Art for the 21st Century’, Hyperallergic, 27 May, 2017
- ‘Miraculous Resurrections: the contemporary art market of older and deceased women artists’, Lecture at the Annual Art Historian Conference at the University of Loughborough, GNYP Art Advisory, April 2017
- Sarah Cascone, ‘Narrowing Gender Gap, Wikipedia Edit-a-Thon Writes 6,500 More Women Into Art History’, artnet news, 18 April, 2017
- ‘Advancing Women Artists: #TheFirstLast Campaign & Linda Falcone Interview’, La Femme Éclectique, 10 April, 2017
- ‘6 Black Radical Female Artists To Know Before You See “We Wanted A Revolution: Black Radical Women, 1965-85″‘, Artspace, 7 April, 2017
- Rosalie Schweiker, ‘No more fake orgasms: stop boosting the art world’s self-esteem’, A-N The Artists Information Co, 01 March, 2017
- Dr Janine Bourke, ‘Art and amnesia: the Gallery, School and the fate of women artists’, ART150: Celebrating 150 years of art, The University of Melbourne, 2017
- Hannah Ellis-Petersen, ‘How the art world airbrushed female artists from history’, The Guardian, 7 February, 2017
- Mark Brown, ‘Frances Morris to become new Tate Modern chief’, The Guardian, 16 January, 2017
- Simon Hattenstone, ‘Carmen Herrera: men controlled everything, not just art’, The Guardian, 31 December 2016
- ‘Pérez Art Museum Miami celebrated Feminism with largest photograph of South Florida female artists’, artdaily, 12 December, 2016
- Sarah Malik, ‘Ms Saffaa, protest art and the fledgling Saudi Arabia women’s rights movement’, The Guardian, 1 December, 2016
- Kate Evans, ‘Elizabeth Gould, illustrator of Birds of Australia, brought out of her husband’s shadow’, ABC News, 25 November, 2016
- Jonathan Jones, ‘We need to remove the mask of history from female artists’, The Guardian, 26 October, 2016
- Natalie Thomas, ‘Painting. More Painting: Creators Versus Producers. Silence Kills Culture’, nattysolo.com, 26 September, 2016
- Holland Cotter, ‘In Art This Fall, Women Win in a Landslide’, The New York Times, 16 September, 2016
- Heather Dewey-Hagborg, Addie Wagenknecht, Camilla Mørk Røstvik, Kathy High, ‘Why women are asking a major art and technology festival to #KissMyArs’, The Guardian, 12 September, 2016
- Jonathan Green, ‘Gender and art’, ABC audio podcast, 18 September, 2016
- Shaad D’Souza, ‘Gender and the NGV: ‘More white male artists than you can shake a stick at”, The Guardian, 15 September, 2016
- Leah Sandals, ‘Public Art: It’s (Still) A Man’s World’, Canadian Art, 31 August, 2016
- Alison Gillmor, ‘Subtle sexism entrenched in art world’, Winnipeg Free Press, 29 August, 2016
- ‘The Brooklyn Museum announces “A Year of Yes: Reimagining Feminism at the Brooklyn Museum”‘, artdaily, 22 August, 2016
- Alison Flood, ‘Australia’s female writers still get far less attention than men, survey finds’, The Guardian, 6 August, 2016
- ‘Gender Matters: record-breaking funding for women to be seen and heard’, Screen Australia, 12 July, 2016
- Hannah McGivern, ‘Valeria Napoleone’s all-female art collection hits the road’, The Art Newspaper, 7 July, 2016
- Casey Lesser, ‘These 20 Female Artists Are Pushing Figurative Painting Forward’, Artsy, 10 June, 2016
- Lili Nishyama, ‘Megumi Igarashi charged for breaking obscenity law’, ArtAsiaPacific, 11 May, 2016
- Susan Jones, ‘Creating positive action to support unrecognised female artists’, The Guardian, 6 May, 2016
- Julia Halperin, ‘Creating value around women artists: the chief curator’s view’, The Art Newspaper, 3 May, 2016
- Gareth Harris, Julia Halperin, Javier Pes, ‘ What does a female artist have to do to get a major solo show?’, The Art Newspaper, 29 April, 2016
- Hettie Judah, ‘Female Artists Take Center Stage at Glasgow International 2016’, artnet news, 8 April, 2016
- Hilarie M. Sheets, ‘Female Artists Are (Finally) Getting Their Turn’, The New York Times, 29 March, 2016
- Jessica Simmons, ’34 Revolutionary Women Artists Who Shaped Abstract Sculpture Inaugurate Hauser Wirth & Schimmel in Los Angeles’, Artsy, 11 March, 2016
- Molly Gottschalk, ’10 Emerging Artists to Watch at The Armory Show’, Artsy, 4 March, 2016
- ‘Female Artists Lead Hatched 2016’, Perth Institute of Contemporary Art (PICA), 9 March, 2016
- Lisa Andrine Bernhoft-Sjødin, ‘Siri Aurdal by Eline Mugaas’, Objektiv, 1 March, 2016
- Madeleine Viljoen, ‘Printing Women: Selections from the Exhibition’, The New York Public Library, March 2016
- Kate Kellaway, ‘ Hilma af Klint: a painter possessed’, The Guardian, 21 February, 2016
- Juliette Peers, ‘Drastic plastic: a look at Barbie’s new bodies’, The Conversation, 8 February, 2016
- Susan Stamberg, ‘Portraits of LA’s female artists send a powerful message: ‘You are here”, npr, 1 February, 2016
- Rachel Spence, ‘Women in the frame: the Saatchi gallery’s all-female art show’, The Financial Times, 22 January, 2016
- Jacqueline Bishop, ‘Renowned Feminist Art Historian Amelia Jones believes that the discipline of Art History should be restructured to embrace new narratives and diverse voices’, Huffington Post, Art & Culture, 21 January, 2016
- Susan Silas, ‘A Show of Over 100 Women Artists Offers Redress but No Resolution’, Hyperallergic, 18 January, 2016
- ‘Exhibition of works by women artists from the late 19th century through the 1930s on view at Kunsthalle Bielefeld’, artdaily, 13 January, 2016
- Lisa Movius, ‘Feminist show closed in China before it opens’, The Art Newspaper, 6 January, 2016
- Lorena Muñoz-Alonso, ‘Carmen Herrera and Rosalind Krauss Among Winners of 2016 CAA Awards’, artnet news, 6 January, 2016
- Nadia Khomami, ‘Saatchi Gallery to show it’s first all-female art exhibition’, The Guardian, 6 January, 2016
- Chloé Wolifson, ‘Patriotism, patriarchy and politics: 2015 feminism in context’, Art Monthly, Issue 286, December, 2015, pp 68-72
- Clarisse Loughrey, ‘Pussy Riot to open ‘women’s-only’ museum’, The Independent, 17 December, 2015
- Graham Bowley, ‘Institute of Contemporary Art in Boston Gets Gift of Works by Women’, ArtsBeat, The New York Times, 9 December, 2015
- Karen Rosenberg. ‘At the Rubell Family Collection, an All-Female Show Adds to Market Momentum’, Artspace magazine, 2 December, 2015
- Katherine Brooks, ‘Let’s Talk About ‘Women Artists’ And What This Term Means’, The Huffington Post, 20 November, 2015
- Nick Clark, ‘Winifred Knights: Artistic ‘genius’ who died in obscurity goes back on show in London’, The Independent, 9 November, 2015
- ‘Independent Visions: Women Artists of California, 1880-1940 on view at the Irvine Museum’, artdaily, 12 October, 2015
- Robin Pogrebin, ‘New-York Historical Society to Open Women’s History Center’, The New York Times, 7 October, 2015
- Priscilla Frank,’7 Forgotten Women Surrealists Who Deserve To Be Remembered’, Huffington Post, 30 July, 2015
- Caroline B, ‘Rewriting Art History with Christa Zaat’, No Smoking, 27 July, 2015
- Maura Reilly, ‘Taking the measure of sexism: facts, figures, and fixes’, ARTnews, 05 June, 2017
- Roberta Smith, ‘Pretty Raw Recounts Helen Frankenthaler’s Influence on the Art World’, review, The New York Times, 2 June, 2015
- Nell Frizzell, ‘Duchamp and the pissoir-taking sexual politics of the art world’, The Guardian, 7 November, 2014
- Lorena Allam, ‘Between sea and sky: a portrait of Clarice Beckett’, audio episode, ABC, 17 August, 2014
- Marcus Bunyan, ‘Review: photography meets feminism: australian women photographers 1970′-80’s at the Monash Gallery of art, Melbourne’, (curated by Shaune Lakin) 17 October – 7 December 2014, Art Blart Blog, 30 November 2014
EXHIBITIONS
- Zina Saro-Wiwa The Turquoise Meat Inside, Tiwani Contemporary, London, 13 September – 27 October 2018
- Artist Rooms: Jenny Holzer, TATE Modern, 23 July 2018 – 31 July 2019
- Polly Apfelbaum, Waiting for the UFOs (a space set between a landscape and a bunch of flowers), IKON Gallery Birmingham, 19 September – 18 November 2018
- In the Spirit of Louise Noun, Des Moines Art Centre, Iowa, 9 June – 2 September 2018
- Half the Picture: A Feminist Look at the Collection, Elizabeth A. Sackler Centre for Feminist Art, Brooklyn, 23 August 2018 – 31 March 2019
- Free the Pussy!, Summerhall, Edinburgh, 2 August – 23 September 2018
- Lisette Model: Photographs from the Canadian photography Institute of the National Gallery of Canada, BOCA RATUN Museum of Art, Florida, 24 April – 21 October 2018
- Generations Part 2: Female Artists in Dialogue – Sammlung Goetz in Haus der Kunst, Munich, 29 June 2018 – 26 January 2019
- Women Artists in Paris 1850-1900, The Clark, Williamstown, MA, 9 June – 3 September 2018
- Women Artists in the Age of Impressionism, Speed Art Museum, Louisville, Kentucky, 17 February – 13 May 2018
- Unfinished Business: Perspectives on art and feminism, ACCA, Melbourne, 15 December 2017 – 27 March 2018
- Nalini Malani: La Rébellion Des Morts, Rétrospective 1969-2018, Centre Pompidou, Paris, 18 October 2017 – 8 January 2018
- Anita Rée: A Retrospective, Hamburger Kunsthalle, Hamburg, 6 October 2017 – 4 February 2018
- Radical Women: Latin American Art, 1960–1985, Hammer Museum, Los Angeles, 15 September – 31 December 2017
- Sharon Hayes: If They Should Ask, Rittenhouse Square, Philadelphia, 13 September – 20 November 2017
- A Century of Women in Prints, 1917-2017, Allen Memorial Art Museum, Oberlin, 8 August – 17 December 2017
- Outcasts: Women in the Wilderness, Arts at Wave Hill, Wave Hill, New York, 8 April – 9 July 2017
- The Future is Female, 21c Museum Hotel Louisville, KY, November 2016 – June 2017
- Making Space: Women Artists and Postwar Abstraction, Museum of Modern Art | MoMA, New York, 15 April – 13 August, 2017
- Grey Matters, Wexner Centre for the Arts, The Ohio State University, Ohio, 20 May – 30 July 2017
- We Wanted a Revolution: Black Radical Women, 1965–85′, Brooklyn Museum, New York, 21 April – 17 September, 2017
- She Photographs, Montreal Museum of Fine Arts, Montreal, until 19 February 2017
- Now Be Here #3, Pérez Art Museum Miami (PAMM), 12 October, 2016
- Vote For Me, Fontanelle Gallery and Studios, Adelaide, 4 September – 2 October, 2016
- Revolution in the Making: Abstract Sculpture by Women, 1947-2016′, Hauser Wirth & Schimmel, Los Angeles, 13 March – 4 September, 2016
- Anna-Eva Bergman. A Graphic Universe, The Museum of Contemporary Art, Oslo, 13 November 2015 – 14 August 2016
- Modern Scottish Women | Painters and Sculptors 1885-1965, National Galleries Scotland, 7 November 2015 – 26 June 2016
- O’Keeffe, Stettheimer, Torr, Zorach: Women Modernists in New York, Norton Museum of Modern Art, Florida, February 18 – May 15, 2016
JAMES C SOURRIS COLLECTION
- Judy Watson interview: The James C Sourris AM Collection
- Madonna Staunton interview: The James C Sourris AM Collection
- Fiona Foley interview: The James C Sourris AM Collection
- Judith Wright interview: The James C Sourris AM Collection
- Normana Wight interview: The James C. Sourris AM collection
- Anne Wallace interview: The James C. Sourris AM Collection
- Helga Groves interview: The James C. Sourris AM Collection
PRIZES AND AWARDS
- Max Mara Art Prize for Women
- Portia Geach Memorial Award
- Ravenswood Australian Women’s Art Prize
- The Bennett Prize
- The Freelands Artist Award
PUBLICATION REVIEWS
FILMS
Still from Open House
Open House
(Produced by John Cruthers, 2012, 26 minutes)
After their return to Perth from New York in 1989, Sir James and Lady Sheila Cruthers regularly opened their house in Bird Street, Mosman Park to provide art historians, curators, critics, writers, artists and other collectors with an opportunity to view the Collection.
In August 2006, before leaving the family home for a retirement apartment, they staged the final open house. This intimate cinema verite documentary, photographed and edited by Ray Argall, follows the preparation and staging of the event and allows viewers to see the Collection installed in its original home. It includes extended interviews with Jim and Sheila about the history of their collection.
Related websites
- Art World Women
- Cruthers Collection of Women’s Art – Lawrence Wilson Art Gallery
- The Countess Report
- Contemporary Art and Feminism
- Women’s Art Register
- National Museum of Women in the Arts
- Elizabeth A. Sackler – Center for Feminist Art
- Feminist Curators United
- Barbara Lee Foundation
- AWARE Women Artists
- New Hall Art Collection
- Advancing Women Artists Foundation
Supporters
SHEILA acknowledges the traditional custodians of country, Aboriginal and Torres Strait Islander people, throughout Australia and recognises their continuing connection to land, waters and community. We pay our respects to them and their cultures; and to Elders both past and present.